Showing posts with label generation bass. Show all posts
Showing posts with label generation bass. Show all posts

Tuesday, 31 December 2013

CVNT Strictly Ballroom Top Ten for GENERATION BASS

So here she is, my end-of-the-year round up of my favourite ballroom house tracks from the last 12 months. Originally published on GENERATION BASS, here's the list in full, but for downloads/audio you need to go check out the original.

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I came in for a bit of criticism for my last top 10 here on GB, as some of the acts I included were not ballroom (the list was a mixture of ballroom and house/other stuff I dug at that point). So, this time round, I’ve decided to keep the chart to strictly ballroom acts, and to look back at my favourite tracks in the genre from the last 12 months.

10. BAAUER – Harlem Shake (QWEEN BEAT Remix)
There was no escaping the Harlem Shake this year, but at least some good came of the craze, like this remix by MikeQ and Jay R Neutron for Qween Beat. Qween Beat is a collective of producers, djs, performers, MCs, designers and a lot more besides, featuring some of the hottest names in ballroom, and who are always worth checking out with some of the freshest mixes. You can find Qween Beat on Twitter, FB and Soundcloud.

9. JAY R NEUTRON The Godzilla Ha
Jay R Neutron has some awesome remixes and smash-ups on his Soundcloud page, many of which could have gone in this chart, but this cheeky Godzilla-soundtrack-sampling beat is the one for me. You might recognise the sample from hip-hop classic “Simon Says” by Pharaoh Monch. Let’s hope Godzilla doesn’t hear this, as a vogue dip from her would be bad news for Tokyo.

8. BYRELL the GREAT In GREAT We Tru$t Pt II
The second instalment of Byrell’s mix tape series serves up a tonne of hot dance floor remixes and edits, showcasing his this up-and-coming producer’s unique style, and also shows the influence of hip-hop, pop and R&B (not to mention Jersey Club) on the ever-developing ballroom sound.

7. LULU EBONY ft GREGG EVISU #BangiCunt (DJ Delish Remix)
Two seriously talented ballroom MCs go head to head on a majorly hot beat remixed by Philidelphia’s DJ Delish. Not much more to say here, just let Evisu & Ebony do the talking (though, as the title would suggest of course, this track is NOT safe for work).

6. SUGUR SHANE Outta Sight Cunt Juice
More commonly known for his MCing, this year Sugur Shane took the plunge into production too, turning out a hard-as-nails remix of DJ Fade’s “Outta Sight”, featuring vocal samples from Buddah and Shane himself. If anyone tells you that ballroom is too soft, too minimal or too repetitive, just slap this on and watch them shut the hell up.

5. BEEK Like This (Like That)
Beek is a name to keep an eye on, his work this year has been consistently impressive, and he has managed to push the ballroom envelope while still serving up tracks to thrown down to. The skittery vocal samples of “Like This” also manage to showcase his brilliant MC style, marrying it to an impressive minimal/complex rhythm.

4. MIA Y.A.L.A. (MikeQ Remix)
Nobody touches MIkeQ for stripped-back, dance floor destroying tracks, his remixes and originals use the barest of elements but achieve maximum impact. There’s a reason this guy is the premier ballroom DJ. This mix is a great example of his style, and again showcases ballroom’s ability to absorb practically any other genre. It’s great to see it crossing over into lots of different DJ sets.

3. BRITNEY SPEARS Work Bitch (Divoli S’vere Gaginator Remix)
Like the flip-side of MikeQ’s minimalist M.I.A. remix, fellow Qween Beat don Divoli S’vere transforms Britney’s wannabe pop-house anthem into a maximalist “WTF?!” epic. This is hands down my remix of the year, and I could see it working in both big and underground clubs, if the DJs have the balls to drop a Britney track that is!

2. KEVIN JZ PRODIGY Nasty Poetry (Schwarz Remix)
Kevin Prodigy is probably the best known ballroom MC, but this remix by Baltimore’s Schwarz slows things down just a touch, becoming *almost* a chilled out hybrid of deep house and Bmore beats that will work in many varied DJ sets. But Prodigy’s distinctive growl keeps it firmly in the ballroom ballpark, with Schwarz teasing out the best bits of his vocal performance.

1. VJUAN ALLURE Kid Conga (Rebounced) ft Daniel Haaksman
This is my top track of the year, an absolute dancefloor destroyer, whatever genre you prefer, from ballroom to house to bass to whateverthefuck. This was dropped back near the start of the year on Vjuan Allure’s debut Mad Decent/Jefrees release, the Vjuanage EP. The track is a cut up of Kid Conga by Daniel Haacksman featuring MC MIltihno, which you might already know, and it never fails to set dancefloors on fire. Also, if you ever get a chance to see a Vjuan Allure DJ set, DO NOT miss it, the dude SLAYS.

Honourable mentions:
I wanted to keep this top ten to one entry per producer, but some of these guys have been on fire this year, and their other work deserves mention too. So, here’s a quick round-up: Vjuan Allure “Natives R Restless”, Poisonous Relationship “Nite Birds (MikeQ Remix)”, Sugur Shane “My Night With Peter And Junior” mixtape, Beek “Beek” EP, DeShawn Timothy & Sugur Shane “Ima Read (Divoli’s 2013 Remix), Dawn Richards “Gleaux (Divoli S’vere Version)”, in fact, just follow all/any of the Soundcloud links posted above and you will find a wealth of awesome music, much of it available for free download. And if you’ve got any favourite ballroom tracks from the past 12 months I haven’t mentioned, leave a comment.

You can follow me at CVNT TRAXXX on Soundcloud, and check out my own ballroom-influenced grymehaus “Statement” EP on Body Work Records.

Monday, 21 October 2013

CVNT ballroom/house Top Ten for Generation Bass

Thanks to the awesome folks at Generation Bass, here's a top ten chart of what's rocking my world right now. I'm just gonna paste the whole thing here (but without the audio clips - if you want to hear these tracks, check out the original article) because this features a lot of stuff I have been meaning to post here on CVNTY. This way I can kill all 10 birds with 1 stone!

Suarez Ball selfie 1

Rising Ballroom/Garage/House producer “Cvnt” gives us his current Top 10 in the Ballroom/House genre.

CUNT: (adj) a term used in gay slang to describe someone who is impressive, original or fantastic in regards to style or demeanour.

1. Vjuan Allure “Bandit” EP [Hot Moms USA]
When it comes to ballroom and vogue house, Vjuan is basically God, and it helps that he’s a really top bloke too. The lead track on this (“Natives R Restless”) I heard tearing the roof off Stereo in Glasgow in May and I have been waiting for it ever since. It could actually cross over, it really is that big! Though I am biased cos his sound and dj sets are everything for me. But I have yet to meet a dance music fan who doesn’t love Vjuan’s style, regardless of race or age or orientation or ballroom status – he’s just that good!

2. Rushmore “HOT002″ EP [House Of Trax]
My homie! House Of Trax are one of the only crews in the UK doing similar stuff to CVNT and repping ballroom/vogue, and they’ve been supportive of me since the start. They even put the debut London CVNT set! Rushmore is one of the residents, and this EP is heavy and minimal dancefloor darkness. It’s under lock and key til the official release, so here’s an older Rushmore track:

3. BEEK Telekuntx [Knightwerk Records]
More from Knightwerk. Beek is one of the most exciting artists coming up in ballroom right now. He has a style all his own, even if it’s influenced by some of the big hitters like Mike Q and Divoli S’Vere, but he manages to put his own twist on things to make it heavy, fresh and SICKENING. We’re due to collab on something pretty soon and, like me, she also loves queen bitch JA’MIE KING!!!

4. Tony Playboi ‘The Nasty One” EP [Knightwerk Records]

Another one of the upcoming children, Tony\’s been producing for a wee while and it’s great to hear his style coming on, somewhere in the middle between ballroom and Baltimore, but with the overdrive turned right up for maximum crunchiness. This three track EP is a free download on the new Cali label Knightwerk, who are doing some very exciting things right now.

5. Get Em & Sugur Shane “Move To The Light”
Also taking its cue from classic 90s Tribal, and backed with a whole load of remixes, is the latest release from Sugur Shane & DJ Get Em, upcoming scene children from Philly. Shane’s a wicked vocalist I have worked with on my “Death Drops” EP, and she is NOT scared of speaking her opinions!! Best remixes on this for me are from Serving Ovahness and Chad Jack.

6. Roxy & Ride Committee “Synthetic (CVNT Remixes)” [Unreleased]

The perfect cross over between old way house and nu skool ballroom, it’s been an honour for me to remix these guys! RC & Roxy were faves of mine in the late 90s, their awesome deep Tribal sounds and Roxy’s outrageously camp bitchery are a big influence on CVNT’s aesthetic. Not sure when these remixes will see the light of day, but you will hear them in my sets for sure!
This one is not online yet but you can hear it in this mix:
TRACKLISTING
The Fog – Been A Long Time (CVNT TR4XXX Mix)
Craig ft Dajae – Mary Mary (Bok Bok Vocal Reconstruction)
Kelela – Guns & Synths
Rushmore – Bitch Please
Get Em & Sugar Shane – Move To The Light (Acapella)
Zanojin – Passenger Side
Auntie Flo – Zulu Death March (Weep Weep(
Trumpet & Badman – Go!
Roxy & Ride Committee Get Huh (Kutz Mix)
DJ Haus & Dedboi – Slip’n'Slide
Vjuan Allure – The Urge
Get Em & Sugar Shane – Move To The Light (Serving Ovahness Remix)
Lil Mo Ying Yang – Reach (Erick Morillo Remix)
Roxy & Ride Committee – Synthetic (CVNT TR4XXX Catwalk Mix)
Rokk Feat Dean Atta – Young Black Gay (Digs BloodSugar Remix)
The Joy Boyz – Pass It On
Harddrive – No Cure

Mvschi 1

7. Trumpet & Badman “Love Keeps Changing” EP [Hot Haus Records]
Trumpet & Badman is a collab between DJ Q & DJ Haus, and this EP is a throwback to the classic Jersey house style of the mid 90s, which is a major part of the roots of the ballroom/vogue sound. I play a lot of those old tunes in my sets anyway, so this EP fits right in there. Also, cos each of the 4 tracks is a banger, it’s always in my box.

8. Josh Caffe & David Newtron “Let Love Ruin” [Batty Bass Records]

Some straight up four to the floor business, and more towards the slick end of modern house this time, but the vibe is just right! A spoken word delivery over a spiky house rhythm goes on to blossom into a full,  sung melody, with lovely chords. Another class release on Batty Bass, from one of the residents of London’s Banjee Boy Realness night. WERK!

9. Kelela “Cut 4 Me” LP {Fade To Mind]
This is also not exactly ballroom, even though there’s some ghostly “ha’s” floating around in the mix. Kelela is a singer with a gorgeous voice and a great neo-soul delivery, and this is her first album. I really dig the Fade To Mind/Night Slugs broken/synth/funk sound, which sometimes crosses over into the more forward end of ballroom, so to hear it as the bedrock of a vocal album is a treat.

10. Zebra Kats “DRKLNG” LP [Zebra Trackz]

ZK had a bit of a break-out hit a few years ago with “Ima Read”, and unlike some other “hip” ballroom-associated rappers I could mention, spent the following 2 years honing and refining his sound as opposed to serving Twitter shade. This ain’t ballroom, but it’s definitely inspired by it in a way – it’s heavy and minimal and electronic, and ZK really stands out from the current wave of gay MCs.

MVSCHI Niall & Vjuan

Check out Cvnt’s latest release, which we covered back HERE:

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Thursday, 3 October 2013

CVNT on Generation Bass website



Awesome! Big up to Generation Bass for this feature on me:

CVNT: (adj) a term used in gay slang to describe someone who is impressive, original or fantastic in regards to style or demeanour.

Awesome new Ballroom EP just dropped from this British dude, which is mega as it fuses Ballroom with Grime and Garage a la UK Stylee.

You need to have it.

Stream the EP here and also download a free track and watch out for more from this dude. 

Read more here.

Saturday, 24 August 2013

ZOUK BASS primer with DJ UMB for Boing Boing

My latest piece for Boing Boing is online now, though credit where it's due, most of the writing and explaining is by DJ Umb of the wicked Generation bass label and blog. It's an introduction to the relatively new genre Zouk Bass, which is a kind-of relation of Moombahton (though ZB is originally from Angola, rather than the Caribbean like Moombahton, and other subtle differences). Anyway, Umb can explain this much better than I ever could (and Generation Bass are also giving away two compilations of the stuff to judge for yourself):


What exactly is "Zouk Bass"?

It's a sound, the roots of which derive from Africa and the Caribbean, and which has been updated with modern Electronic Club/Bass sounds (which sounds nothing much like traditional "Zouk", really.)

Where and when did this genre originate?

I'm not even sure whether it is a fully-fledged "genre" yet, maybe it is a sub-genre or just a new name for a scene. Buraka Som Sistema coined the term during a Boiler Room DJ set in February 2013, so it's barely 6 months old. They were playing some awesome tunes that many of us had not heard before and their MC, Kalaf, was shouting "Zouk Bass" all over them and saying it was "a brand new sound". That's how it started, and a lot of people in the Transnational Bass scene were going nuts about this sound. There was no track list for the set and people were desperate for the track ID's for the first 15-20 minutes because the sound was dope and fresh! Eventually, some of the tracks and artists were discovered from comments left on the Boiler Room site. It was also discovered that some of the featured tracks already had a name for a pre-existing genre that pre-dated Zouk Bass. It was called Tarraxinha or Tarraxo and came from Angola.
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Wait, so Zouk Bass isn't really "zouk bass", it is Tarraxinha? What is Tarraxinha?

Many didn't know what Tarraxinha was and had never heard of it, but some of us did know. Generation Bass knew a little about it and had been blogging some of it since 2009. However, we did so very rarely and without actually knowing too much, because you couldn't find enough of this music online or anywhere else and there was no information about it either. Plus it was kind of overlooked and slept on in favour of the public's greater interest in Kuduro, which incidentally Buraka were also involved in bringing to the world's attention.
Read the whole article on Boing Boing.  

And don't forget to grab the two comps on Generation Bass:

ZOUK BASS Volume 1
ZOUK BASS Volume 2